
He leans back, the leather chair upholstery softly creaking as he shifts his weight. Chin rested on his fist, elbow leaning on the armrest – the 21st century 8-bit-spawned equivalent of Rodin’s thinker – he scrutinises his beauties, one by one, the nine big panels arranged in a 3×3 grille. There’s nothing else in his field of vision. He has painstakingly sanitised the space to eliminate distractions so he can concentrate on who he’s watching. Obsessions have a process too.




