This is a pamphlet. A single voice adrift at sea.
If no man is an island, one man is an island. I am it. An island wracked by a storm of man-wrought proportions.
We’ve lost so much.
I’m not sure what’s worse. Whether us not remembering what good was in the world. Or choosing to forget there actually was some good in it. Mankind retreated to some preternatural state, where violence is the one universally accepted currency. I feel ashamed to admit I have dealt in it too.
Tonight, I lay her down on a bed of black orchids.
To me, she is the most dazzling flower of all, despite the solemn black garb she favors so much. She has always been at home in the limelight and on the red carpets winding through thick crowds and leading up to grandiose palazzos. Drawing all the gazes, of both men and women. She is nameless – she could become anyone she wanted at a moment’s notice. All she ever needed was a camera pointing at her and a few deft touches of kohl.
The target is acquired, the objective within sight now. All senses engaged and in overload, despite his mask of calm. The polyrhythmic drumbeat in his ears is the blood boiling under the surface. The woman in the red dress approaches with a slow, measured gait, as if she was walking a tightrope over the chasm still separating what he wants and why she came here. Her stiletto heels produce a sharp click with each step. He will compartmentalize the sights and sounds for future remembrance. The sequence has been initiated.
There is a door at the end of the corridor, the gateway to a secret place. It’s a door without key or lock, the combination for safe passage guarded closer than a dragon guards its fabled hoard. Only the white neon light filters through the gap under the door. Inviting. Menacing? It has been flickering annoyingly of late. It’s due fixing. There is no space for imperfection where the door leads.